#Top ten tv calibration disc series#
#Top ten tv calibration disc tv#

#Top ten tv calibration disc series#

Often вЂ“ as is the case with Office Ladies, featuring Jenna Fischer and Angela Kinsey, and Scrubs recap Fake Doctors, Real Friends, hosted by Zach Braff and Donald Faison вЂ“ these series are helmed by former cast members of the show.

#Top ten tv calibration disc tv#

Name a TV hit and, chances are, there's an accompanying podcast taking a nostalgic trip down memory lane. HBO Max continued the shopping spree when they committed around $600 million (ВЈ432m) for the rights to The Big Bang Theory and a further $500 million (ВЈ360m) for South Park.ДЄt the same time, the fact that these classic series have become TV land's hottest property has been reflected in the audio world too, with the rise of the 'rewatch podcast'. Looking to fill the gap, Netflix paid $500 million (ВЈ360m) for a five-year lease of Seinfeld due to begin later in 2021. Both of those series were previously available on Netflix in the US. Meanwhile, WarnerMedia picked up Friends for $425 million (ВЈ306m), also for five years, for its new streaming service HBO Max вЂ“ an acquisition it is crowning with a hotly-anticipated cast reunion, one-off special in May. NBCUniversal committed to paying $500 million (ВЈ360m) to bring The Office exclusively to its own streaming service Peacock from 1 January 2021 for five years. In recent times, the rights holders to some of TV's best-known shows have made big money as US media companies bet staggering amounts on licensing their timeless works.

Streaming services вЂ“ understandably, given the data вЂ“ jostle at great expense over the rights to add classic hits to their libraries. How classic series became the hottest properties Meanwhile, as the Guardian reported, UK streaming service NOW TV reported a 122% increase in views of The Sopranos between March and October 2020, while HBO in the US reported a 200% increase. Other shows to rank highly on NielsenвЂ™s list include New Girl and Vampire Diaries, both of which ended their runs more than two years ago. Nielsen data showed that the most streamed programme in the US last year was the American version of The Office, which finished in 2013 after nine series and was subsequently bought by Netflix Americans cumulatively streamed a total of more than 57 billion minutes of it, nearly 10 million more than its closest rival. The anecdotal evidence that 2020 was 'the year of the rewatch' is backed up by the numbers. Last year a rewatch of The Sopranos, the original prestige TV series, became a lockdown cliche rivalled only by baking banana bread, with the critically-adored mob drama dubbed 'the hottest show of lockdown' by The Guardian and 'the hottest show of 2020' by GQ. Why, then, with so much fresh content, is there a growing trend for people brushing aside the glowing reviews and friends' recommendations and deciding to hit 'repeat' on the shows they have watched time and time again? Certainly, the predilection for rewatching old series seems to have been spiking recently.

There are entire websites to help you navigate what's on all the different streaming platforms, while social media can often be indecipherable to those who haven't caught the latest episode of their favourite show.

Whether it is a talking-point reality series, a beloved and twisty crime thriller, or whatever new comedy or drama Netflix and Amazon with their multi-billion dollar budgets have added to the content abyss, viewers are spoiled for choice on the small screen. Over the past year, when staying at home has been government mandated in many parts of the world, it has fortunately never been easier to find something new to watch on TV.